I'm always trying to get new friends to join my clothing optional life drawing group, and plenty give it a go, so the latest sessions had someone new, and someone's second go. I especially like these stretchy quick drawings at the top:
More friends to draw... Well, including the same friend whose face I like to draw. A very sleeping looking collection of images this time.
I'm really pleased with this first one, it's probably my best face drawing up to this point, and the scribbling give it so much texture and makes the shadows feel almost alive!
Same model, now with a prop, booo! Can I blame the distraction of the umbrella for the horrendous faces on these ones??
Thankfully the umbrella was only visiting for part of the session.
And there I go, drawing the other drawers again!
This is the most regular model at the uni society, and she's a real pleasure to draw; always comes up with interesting poses, and the way her body behaves, and folds is so interesting and beautiful! Didn't really do her justice in these first drawings, but did better later!
It had been a few years since I last did any life drawing, when I found this year that the art society at my old uni did a weekly session. Strangely, some years after graduating, this is one of several uni societies I have got quite involved with this year! As you can see, I was a bit rusty getting back to drawing again!
After going to life drawing at the gallery now and then for a while, it got cancelled, because the gallery was getting renovated. I didn't do any drawing for a while, until I discovered a local artist held occasional sessions in his studio space, so I went along to that. I only went once though, I think it clashed with my working arrangements at the time.
I'm not a big fan of props; I don't mind a neutral block of something for a model to position themselves on or against, but when that becomes something they are more activity interacting with, or something more overtly designed, than the prop itself becomes a bit too dominant in the composition for my liking. Case in point, the time the model was asked to sit in a deck-chair. Yuck. I do quite like drawing what's going on around a model though (mainly only if I get bored with a particular pose), like this time I drew the other drawers:
I think it was at this session that I really realised I like to scribble; just keep messily drawing until the image builds up; it's a very satisfying and busy way to build up an image. These first two contrast the scribble-form with a more traditional sketchy look, of the same pose. I much prefer the scribble version: